BEGIN:VCALENDAR VERSION:2.0 PRODID:-//50.63.220.1//NONSGML kigkonsult.se iCalcreator 2.20// CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME: X-WR-CALDESC: X-FROM-URL:http://daylaarabella.com X-WR-TIMEZONE:America/New_York BEGIN:VTIMEZONE TZID:America/New_York X-LIC-LOCATION:America/New_York BEGIN:STANDARD DTSTART:20171105T020000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 RDATE:20181104T020000 TZNAME:EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20180311T020000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-3369@daylaarabella.com DTSTAMP:20180424T160841Z CATEGORIES: CONTACT:Emmanuel Music\; 6175363356\; music@emmanuelmusic.org\; http://www. emmanuelmusic.org/ DESCRIPTION:On February 23 at 8 p.m. the Orchestra and Chorus of Emmanuel M usic\, under the direction of Ryan Turner\, will present “Metamorphoses: O rpheus in Oedipus” featuring Matthew Aucoin’s “The Orphic Moment\,”  John Harbison’s Symphony No. 5 and Igor Stravinsky’s “Oedipus Rex” with the Har vard Glee Club at Sanders Theatre. The performance will mark the 90th anni versary of the American premiere of Stravinsky’s piece that featured the H arvard Glee Club and the Boston Symphony Orchestra. For Emmanuel Music’s p erformance\, WBUR’s Christopher Lydon will narrate\, and the Harvard Glee Club will be joined by 12 male members of Emmanuel Music’s chorus.\n \nA p re-concert Composer’s Forum from 6:30 p.m. – 7:15 p.m. will feature Turner \, Aucoin\, Harbison and John Heiss\, moderated by Lydon. For tickets and more information\, visit EmmanuelMusic.org.\nAucoin’s “The Orphic Moment” examines the moment before Orpheus turns to look at Eurydice. The performa nce will feature a choreographed work for solo dancer\, Jacob Regan\, by B etsi Graves\, Director of Urbanity Dance.  In Harbison’s Symphony No. 5\, the Orpheus myth is reflected in vivid poetry of Milosz\, Glück and Rilke\ , the eponymous hero’s lute represented by an electric guitar. With a libr etto by Cocteau based on Sophocles\, Stravinsky’s monumental and chilling opera-oratorio “Oedipus Rex” is a throbbing musical engine of fate.\nTicke ts: http://www.emmanuelmusic.org. DTSTART;TZID=America/New_York:20180223T200000 DTEND;TZID=America/New_York:20180223T220000 LOCATION:Parish Hall at Emmanuel Church @ 15 Newbury Street\, Boston\, MA 0 2116 SEQUENCE:0 SUMMARY:Emmanuel Music – Metamorphoses: Orpheus in Oedipus URL:http://daylaarabella.com/event/metamorphoses-orpheus-in-oedipus/ X-COST-TYPE:external X-WP-IMAGES-URL:thumbnail\;http://daylaarabella.com/wp-content/uploads/2017 /07/RyanTurner2013-1-450x299.jpg\;450\;299\,medium\;http://daylaarabella.c om/wp-content/uploads/2017/07/RyanTurner2013-1-450x299.jpg\;450\;299\,larg e\;http://daylaarabella.com/wp-content/uploads/2017/07/RyanTurner2013-1-45 0x299.jpg\;450\;299\,full\;http://daylaarabella.com/wp-content/uploads/201 7/07/RyanTurner2013-1-450x299.jpg\;450\;299 X-ALT-DESC;FMTTYPE=text/html:\\n\\n\\n\\n\\n

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On February 23 at 8 p.m. the Orch estra and Chorus of Emmanue l Music\, under the direction of Ryan Turner\, will present “Metamorphoses: Orpheus in Oedipus” featuring Matthew Aucoin’s “The Orphic Moment\,”  John Harbis on’s Symphony No. 5 and Igor Stravinsky’s “Oedip us Rex” with the Harvard Glee Club at S anders Theatre. The performance will mark the 90th anniversary of the Amer ican premiere of Stravinsky’s piece that featured the Harvard Glee Club an d the Boston Symphony Orchestra. For Emmanuel Music’s performance\, WBUR’s Christopher Lydon will narrate\, and the Harvard Glee Club will be joined by 12 male members of Emmanuel Music’s chorus.

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A pre-concert Composer’s Forum from 6:30 p.m. – 7:15 p.m. will fe ature Turner\, Aucoin\, Harbison and John Heiss\, moderated by Lydon. For tickets and more information\, visit EmmanuelMusic.org.

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Aucoin’s “The Orphic Moment” examines the moment before Orpheus turns to look at Eurydice. The performance will fea ture a choreographed work for solo dancer\, Jacob Regan\, by Betsi Graves\, D irector of Urbanity Dance.  In Harbison’s Symphony No. 5\, th e Orpheus myth is reflected in vivid poetry of Milosz\, Glück and Rilke\, the eponymous hero’s lute represented by an electric guitar. With a libret to by Cocteau based on Sophocles\, Stravinsky’s monumental and chilling op era-oratorio “Oedipus Rex” is a throbbing musical engine of fate.

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Tickets: http://www.emmanuelmusic.org.

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